Posted on by TracyC

The Mother Goose Cookbook

The Mother Goose Cookbook by Frances Sheridan Goulart, 1970.

I remember reading this book from my local library when I was a kid, and I had to look it up again because there were a couple of things that stuck in my mind about it. First, the recipes in this book are also based on songs and fairy tales, not just nursery rhymes, and second, while there are other cookbooks that use nursery rhymes and fairy tales as themes, this one chooses some of the more unusual ones. There are some common rhymes and references in the book, like using Humpty Dumpty for an egg recipe and referencing Little Miss Muffet for Curds and Whey, but there also less common ones, like Aiken Drum. Overall, I liked the variety of nursery rhyme and fairy tale references in the book, and I think the recipes generally fit the references well.

Second, some of the recipes sound a bit fancy for a child’s cookbook, but as a kid, I found them intriguing because they had a kind of old-fashioned quality that I thought made them seem more like nursery rhyme and fairy tale foods. Because, as a kid, I rarely ever had the patience to read the introductions to books before plunging right in, I missed some of the historical information behind some of these recipes and rhymes that the book explains in its introduction. Rereading this as an adult, though, I really appreciated the thought that the author put into the history of food in nursery rhymes.

The introduction begins by posing the question that many children have asked when hearing or reading nursery rhymes, “What are curds and whey, anyway?” I certainly wondered that when I was a kid, and the book notes that many parents also don’t know the answer. It goes on to explains that the “Mother Goose Era” (not really defined but probably the era when the rhymes were first composed) spans roughly from 1600 to 1800, and the foods mentioned in the rhymes is a mixture of real foods and imaginary ones. The author researched real, historical recipes and adapted them for modern use, while trying to remain as faithful as possible to the original nature of the dishes. In the cases where the author couldn’t find information about the dishes or where the foods mentioned seem to be imaginary, she created original recipes to represent them.

Although the author intends this book for children, I personally thought that the nature of some of the recipes and the difficulty of some of them make them more suitable to nostalgic adults.

The recipes in the book are sorted in alphabetical order, skipping a few letters of the alphabet that they didn’t have recipes to match. Each of the recipes is accompanied by a pen-and-ink picture of the nursery rhymes or fairy tale connected to the recipe, and the pictures are on backgrounds of varying shades of purple and light green.

The book is available to borrow and read for free online through Internet Archive.

The recipes in the book are:

A is for:

Aiken Drum’s Glum Gallimaufry – This is a kind of stew made with mutton and vegetables, one of the dishes that I would think more suitable to an adult than a child. Stews in general aren’t too hard if you start with pre-chopped meat and veggies, but I don’t think many modern children are accustomed to eating mutton or would be interested in doing so. At least, in the United States, mutton isn’t a very common food.

B is for:

Betty Pringle’s Pastry Pigs

Bubble and Squeak, a la Bo-Peep – This is a dish made with lamb and cabbage.

C is for:

Cock Robin en Cocotte – I never liked this rhyme, and the recipe is for cooking small poultry.

Curds and Whey, One Way – It doesn’t precisely define what “Curds and Whey” are, but it’s a dairy dish made with soured milk and oatmeal.

Curds and Whey, Another Way – There’s a second method for making it.

D is for:

Daffy-Down-Dilly’s Jolly Jelly

Dappled Grey’s Farthing-a-Mare Gingerbread

E is for:

Elsie Marley’s Nine O’Clock Barley

F is for:

The Fatted Figs from Budleigh Fair – This one asks you to fry figs in fritter batter, but it doesn’t give you the recipe for the batter.

Four-and-Twenty Blackbird Pye – This is another recipe that I think only an adult might try. The “blackbirds” are made from beef liver.

G is for:

Good Pulled Bread for Tommy Tucker

H is for:

Hickory Dickory Flummery – A flummery is a type of old-fashioned dessert.

I is for:

Intery Mintery Cutery Corn

J is for:

Jack-a-Dandy Kissing Candy – This is a very old-fashioned candy – candied rose petals and violets. I think I have had candied flowers at a living history museum, but I’m not sure where to get the rose petals and violets to make any myself.

Jack and Jill Johnnycakes – This recipe is accompanied by a vinegar pudding sauce.

K is for:

King Arthur’s Bag Pudding en Croute

King Boggen’s Three-Farthing Turnips

L is for:

Little Betty Botter’s Better Butter Batter – This is a shortbread recipe

L’Orangerie St. Clemens

M is for:

Margery Daw, Petit Pois – This is a dish of peas, but there’s a little game as a twist. You add either a corn kernel or a small onion to the peas, and whoever gets the corn or onion on their plate has good luck.

O is for:

Oeufs a la Humpty Dumpty – “Oeufs” is the French word for eggs. This recipe wants you to serve it with Bechamel sauce, but there’s no recipe for the sauce.

P is for:

Pease Porridge Chaud-Froid – This porridge is made with oatmeal instead of peas.

Peter’s Pickled Peppers

Pippin Hill Ladyfingers – This is a dessert made with apples.

Punch and Judy Rolling Pin Pie – This is an apple pie recipe.

Q is for:

Queen of Heart’s Purloined Tarts – These are heart-shaped cherry tarts.

R is for:

Rowly Powly’s Roly-Poly – The name of this rhyme is unfamiliar to me, but I know a variation of it under the name Georgie Porgie.

S is for:

A Salamagundi for Solomon Grundy – This is a dish with potatoes, carrots, and onions.

St. Dunstan’s Belfry Bacon

St. Swithin’s Rainwater Tea – This is a recipe for an herbal tea made with actual rain water. I’m not sure that I would recommend people actually gathering and drinking rain water, but the herbal tea sounds nice, and this section does explain a little about St. Swithin and the tradition behind the rhyme that goes with it.

Simple Simon’s Ha’Penny Buns

Slitherum Slatherum Soul Cakes – I was fascinated by the recipe for Soul Cakes, an old tradition from Halloween, All Saints Day, and All Souls Day. The book says that they should be made on the eve before All Souls Day (evening of November 1) rather than Halloween. However, from my earlier Halloween research, I know that different countries and regions had their own traditions and their own recipes for Soul Cakes. There is no single, universal recipe for Soul Cakes.

T is for:

Three Men in a Tub Pommes de Terre – This is basically a recipe for french fries, using three potatoes soaked in a tub of ice water before being fried in hot fat. (The book doesn’t explain why, but I know that doing that makes them crispier.)

Tuppeny Rice – This is a sweet rice dish made with cinnamon and sugar and marmalade.

Tweedle Dee’s Dumplings a Deux – These dumplings include cow’s liver.

W is for:

Willy Wood’s Wondrous Pennyloaves

Y is for:

Yankee Doodle’s Pepperbox Noodles

Z is for:

“sleeping after all this good eating!”

Posted on by TracyC

Home for a Bunny

Home for a Bunny by Margaret Wise Brown, pictures by Garth Williams, 1956, 1961.

It’s springtime, and a little bunny is searching for a new place to call home.

As he looks for a place that might suit him, he asks the other animals about their homes. However, most of the homes of other animals wouldn’t work for him. The bunny knows he couldn’t live in a nest like the birds or in a bog like a frog.

There is a point when the bunny thinks another animal’s home might suit him, when he talks to a groundhog who lives in a log, but the groundhog is not willing to have him as a housemate.

The bunny finally finds his home when he meets another bunny, who invites him to stay!

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction

This vintage Little Golden Book is a calm and sweet story about a little bunny finding a home that’s just right for him. I liked how the bunny looks at other animals’ homes to figure out if any of them would be right for him because it shows young children how each animal’s home has conditions that are right for that animal but wouldn’t be right for a different type of animal. The bunny realizes that a nest in tree wouldn’t work for him because, unlike birds, he can’t fly and would fall out of the nest. Similarly, he can’t live in a bog with a frog because he’s not amphibious and would drown. (The book doesn’t use the term amphibian or amphibious, but I think kids would get the idea that some animals are better able to live in and around water than others.)

The story also includes the idea is that what makes a home is also who shares that home. The bunny thinks that the place where the groundhog lives could work for him, but he’s not a groundhog and the groundhog doesn’t want to share his home with the bunny. The place where the bunny eventually finds is rabbit hole he can share with another bunny, who is happy to have him as a companion. It’s a calm story with a happy ending because there is a home for everyone and someone for everyone.

Posted on by TracyC

The Golden Egg Book

The Golden Egg Book by Margaret Wise Brown, illustrated by Leonard Weisgard, 1947.

One day, a little bunny finds a blue egg. He knows there’s something inside the egg because he can hear it moving, but he doesn’t know what kind of egg it is. He imagines all the different creatures that could be inside the egg.

He tries to figure out how to get the egg open. He shakes it, kicks it, jumps on it, rolls it down a hill, and throws nuts and small rocks at it. Nothing he does causes the egg to open.

Eventually, the bunny falls asleep next to the egg, and while he’s asleep, the egg hatches! The animal that hatches out becomes the bunny’s best friend!

My Reaction

This is a vintage Little Golden Book, originally printed in the 1940s, about two young animals trying to figure each other out. The bunny apparently knows that some things hatch from eggs, but he’s not sure exactly how that happens or what sort of things might come from an egg. Even little kids will know that the things that the little bunny thinks might come from an egg are silly, like a little boy or an elephant, but that’s part of the fun of it.

There’s some repetition in the story, which young children enjoy, because when the duckling hatches out of the egg and finds the bunny asleep, he tries some of the steps that the bunny tried on his egg to get the bunny to wake up, like pushing the bunny with his foot, jumping on him, or rolling him down the hill.

Fortunately, neither animal hurts the other in their attempts to hatch the egg or wake up the bunny, and the two become friends. It’s just a cute little picture book that might be fun for springtime or Easter!

Posted on by TracyC

The Little House

The Little House by Virginia Lee Burton, 1942.

A family builds a strong little house in the countryside, dreaming of their descendants living in her. The little house is happy in the countryside, watching the changing seasons as the years come and go.

Over time, things begin to change, though. Other farms are built around the little house, but then, a big road is built, and the little farms gradually give way to suburbs.

Eventually, the houses around the little house turn into bigger houses and apartment buildings. As time goes on, the little house is no longer in the countryside or even the edge of the city, but it’s actually engulfed by the city itself.

The city becomes more and more crowded with taller and taller apartment buildings, more roads and trains, and crowds of peoples. The little house stands empty and becomes run-down. She can hardly see the sky and can’t feel the changing of the seasons the way she used to because there isn’t much nature around her to sense changing.

Fortunately, the little house is rescued from this terrible situation. One day, the great-great-granddaughter of the man who built the house spots the little house in the city and recognizes it as the one her family owned. When she and her husband look into it, they verify that this is her family’s old house, and they decide that they want to move it to the countryside, like when her family lived there.

Because the little house was built so strongly, they’re able to move it intact to the countryside. The little house is happy to once again live in the countryside with the family who always loved her!

The book is available to borrow and read for free online through Internet Archive.

My Reaction

This vintage picture book is about the nature of change. Growing cities do expand into the countryside around them, so a house that was once outside of the city is gradually touched by and then engulfed by the nearby city as it expands. Readers get the feelings of the house as the world around her changes. At first, she’s a little intrigued by the city and isn’t sure if she likes it or not, but as the city becomes overcrowded, the house is neglected, and she can no longer sense the seasons, she decides that she doesn’t like it. When things change for the house again, she is relieved.

I remember this story from when I was a kid, and I remember feeling sad when the poor house was run-down and neglected in the city, surrounded by the towering apartment buildings. However, the book has a good ending. Houses can be moved, and the family that once owned this house remembers it and rescues it from the city, moving it to the countryside, where they all feel more at home. Things change, but sometimes, they change for the better. The house can’t move itself when it isn’t happy, but the family gives it the help and attention it needs.

When I reread this book as an adult, it suddenly occurred to me that this book was originally published during WWII, when the world was changing in some very scary ways. I think a book like this might have been reassuring to children of that time. Life is full of changes, but sometimes, things can change for the better again.

Posted on by TracyC

The House of Four Seasons

The House of Four Seasons by Roger Duvoisin, 1956.

A family is searching for a house to buy in the countryside. They find one they love, but it needs some fixing up. Along with the repairs, the house needs a new coat of paint.

Different family members have different ideas about the best color to paint the house. Little Suzy likes the idea of painting it red with green shutters because she thinks that would look wonderful in the spring. Billy likes the idea of making it yellow with purple shutters, which would be great in summer. Their mother like the idea of a brown house with blue shutters because she thinks that would look great in autumn. Father suggests a green house with orange shutters because he thinks that would be colorful in the winter, when it snows.

They talk over the different possible color combinations, and Billy suggests that each of them could have their colors on a different side of the house. He says that they could call it the House of Four Seasons. However, when they go to the hardware store, they learn that the store only stocks three colors of paint – red, yellow, and blue.

At first, the children in the family think they can’t have their House of Four Seasons with only three colors, but their father buys some of each color and shows them how the colors combine to make different colors. By mixing two colors together, they can also make orange, green, and purple. If they mix all three together, they can get brown.

That covers all of the colors they originally thought of using, but there’s one more thing that Father points out. Although mixing all three colors of paint gives them brown, white is also the sum of all colors. That gives them a color they can all agree on!

My Reaction

I liked how the book demonstrated color combinations and how mixing primary colors make secondary colors. It is true that, when you mix all the primary colors of paint, you typically do get a brown color. Technically, according to an art class I once took, you’re supposed to get black by mixing all colors, but it usually doesn’t work out that way because the colors aren’t entirely true hues.

I’ve thought before that it’s interesting how, when it comes to paint, black is supposed to be the sum of all colors and white is often considered blank, the absence of color, but the opposite is true when it comes to light. These two ways of mixing colors are called “additive” and “subtractive” – mixing colors of light is additive and mixing physical colors, like paint, is subtractive. That’s really what the father in the story demonstrates, how different colors blend to form white visually with light, although he doesn’t really explain the additive vs subtractive color systems concept. If you’ve ever done web design, you’ve used the additive color mixing method with hexadecimal colors. Black in hexadecimal is #000000, the complete absence of all colors, while white is #FFFFFF, the full amount of all colors.

As fascinating as that is, though, I have to admit that I wasn’t entirely satisfied with the choice to paint the house white. Part of it is that it won’t stand out in the snow when it’s white, and part of it is that they just paint the shutters green without any discussion about it, but mostly, it’s because … the hardware store doesn’t sell white paint. They clearly stated that the hardware store only has three colors of paint – red, yellow, and blue – no white. They also can’t combine those colors to make white because they already demonstrated that combining those three colors makes brown. Combining colors to make white works with light but not paint.

It’s still a fun story that has some educational quality, but yeah, I realized that the proposed plan to use white paint actually wouldn’t work. Unless, of course, they just go to a different hardware store, one that has a wider paint selection.

The pictures really make this story stand out as being from the 1950s. The father is smoking a pipe, which is uncommon these days and almost never depicted in 21st century children’s books. Even in the late 20th century, when I was young, people were cracking down on depictions of tobacco use in children’s books and movies to discourage children from normalizing tobacco and using it themselves. The overall art style of the book is typical of the mid-20th century, but it has a full range of colors, in keeping with the theme of the book. Some other mid-20th century books were printed with limited color range.

I liked seeing the house depicted with the different color combinations that members of the family imagined, and I enjoyed how they associated the color combinations with different seasons of the year. Some of their color combinations are very unusual, like yellow and purple together on the house. Few people would choose such a combination in real life, although yellow and purple are complementary colors on the color wheel. So are red and green, the color combination that the daughter of the family would have chosen. I thought that it was interesting that the color combinations the family considered were all either complementary colors or leaned in that direction, although they never mentioned it in the book or explained what complementary colors are. Complementary colors are directly opposite each other, and they can be used to create contrast and visual appeal.

One of the things I like about seeing the different color combinations is that it invites children to consider what color combinations they would choose themselves. It reminded me a little of Katy Comes Next, where readers get to see the wigs, doll eyes, and doll clothes that Ruth chooses among for her doll, Katy, and imagine which ones they would choose. I think kids like to see different possibilities and consider their choices and favorites.

Posted on by TracyC

Basket Moon

Basket Moon by Mary Lyn Ray, illustrated by Barbara Cooney, 1999.

An eight-year-old boy lives in the countryside with his parents, and his father makes baskets to sell in the town of Hudson in New York. The boy has never been to town before, and he wants to go, but his father always says he’s too young.

His father has taught him which trees are best for wood to make baskets, and he watches his father and the other men who live in the area gathering it. He’s also watched his father weaving baskets, and he starts to weave baskets of his own. When he turns nine years old, his father decides that he’s old enough to go to town with him to sell the baskets.

They sell their baskets to a hardware store, and they buy some supplies their family needs. The boy marvels at all the new sights around him. However, as he and his father are heading home, a man teases them about being hillbillies who only know how to make baskets. The boy’s father ignores them, but the boy is bothered by what the man said.

For a time, the boy no longer wants to make baskets, thinking that it’s something that only hillbillies do, like the man in town said. However, when the boy kicks over stacks of his father’s baskets in anger, they don’t break when they fall, and he sees that his father makes strong, high quality baskets. His mother and one of the other men who works with the boy’s father talk to him about how they learned the art of basket making from the trees and the wind. The trees and the wind never seemed to talk to the boy before, but when he really listens, he begins to understand what the men mean.

The book is available to borrow and read for free online through Internet Archive.

My Reaction

I like books about traditional crafts and lesser-known pieces of history. In the back of this book, there’s an author’s note about the history of making baskets among the country people around Hudson, New York. Sometimes, these country people came into town to sell their baskets, but the townspeople were also somewhat leery of them. The wooded countryside around the town was spooky to the townspeople, and there were a lot of stories about frightening things that lurked there. The author points out that this is the area where the stories of Rip Van Winkle and The Legend of Sleepy Hollow were set. The time period of the story is indefinite although it looks like it might be set around the late 1800s or early 1900s. The author’s note says that the art of making baskets in the area started dying out in the mid-20th century because people were using different types of containers, such as paper bags, plastic containers, and cardboard boxes. However, the traditional baskets were made very study, and surviving examples of this functional folk art still exist in collections and museums.

One of the themes of book is being in touch with nature, which is what the adults in the story really mean when they talk about hearing the wind and the trees speak to them. In the end, the boy thinks he literally hears the wind calling to him, but I think it’s supposed to be a metaphor for him getting in touch with nature and with his craft. His family and the others around them are country-dwelling people, and some of the townspeople look down on them for living out in the countryside, away from the society, amenities, and business of the town, but the country-dwelling adults are comfortable with themselves and with their lives. They realize that they know things about nature and about their craft that the townspeople don’t know.

It did occur to me that the townspeople probably wouldn’t know how to make their own baskets if they had to do it themselves. We don’t think that much about baskets today, although we still use them sometimes, frequently as a form of decoration. In those days, though, the baskets were functional home necessities for carrying and storing food and other items. The townspeople in the story buy their baskets from these makers in the countryside because they are the ones who have necessary skills and knowledge to make strong, high-quality baskets that the people in the town need, whether or not the townspeople truly appreciate the work and skill that went into them. Part of what the author’s note points out is that the baskets were of such high quality that some of them have long out-lived their original makers and users. Things of quality last.

Posted on by TracyC

The Whispering Cloth

The Whispering Cloth: A Refugee’s Story written by Pegi Deitz Shea, illustrated by Anita Riggio, and stitched by You Yang, 1995.

Mai and her family are Hmong refugees from Laos, living in the refugee camp of Ban Vinai in Thailand. Some of her relatives have gone to the United States, but Mai and her grandmother are still waiting in the refugee camp. Mai’s parents are dead, and Mai doesn’t really remember her family’s life in Laos. Almost as far back as she can remember, she’s always lived in the refugee camp. She only has vague memories of her parents’ deaths and how she and her grandmother fled to the refugee camp.

Mai’s grandmother teaches her how to do embroidery, and she begins helping her grandmother make pa’ndau, a kind of tapestry that tells a story. Together, she and her grandmother pa’ndau to sell to traders for money. They hope to use the money to get out of the refugee camp and join their relatives in the United States.

Their pa’ndau tapestries have beautiful floral borders and images that tell a story. Mai asks her grandmother if she can do one all by herself and if he grandmother will tell her a story she could use. Her grandmother says that she’ll be ready to do a pa’ndau of her own when she has a story of her own to tell.

As Mai thinks about how much she misses her parents, she realizes that she does have a story to tell in her own pa’ndau. She begins embroidering a pa’ndau that tells the story of her parents’ deaths and how her grandmother carried her away in a basket, fleeing as soldiers shot at them. She embroiders their arrival at the refugee camp, and the people and things she sees there.

When she asks her grandmother how much money they can get for her pa’ndau, she says that they cannot sell it because it isn’t finished yet. At first, Mai thinks that there isn’t anything more to tell because they’re still living in the camp, and she hasn’t experienced life beyond it. Then, she realizes that she can embroider the life she hopes to have when they finally join her cousins, based on the things they’ve told her in their letters.

The book is available to borrow and read for free online through Internet Archive.

My Reaction

The foreword to the story explains that the Hmong people of Laos were driven out by the Lao Communist government, and many of them were killed before they had a chance to leave. The government drove them out because they sided with the Americans fighting in Laos and Vietnam. Many people, like Mai’s family, found refuge in refugee camps like Ban Vinai, waiting until they could find another country willing to take them on a permanent basis. However, at the time this story was published in 1995, the Ban Vinai camp was set to close. The refugees there were set to be either transferred to different refugee camps or sent back to Laos, to face whatever the government there had in store for them. Understandably, many of them didn’t want to be sent back to the country they had escaped from. This article explains more about the generation of children who, like Mai, grew up in the refugee camp, disconnected from the lives their parents knew in Laos, and with ambitions to go to other places, like the United States, to start new lives.

Although this is a picture book, there are violent themes of war in the story, so I wouldn’t recommend it for very young children. The pictures in the book are beautiful, an unusual combination of paintings and actual embroidery. The artist who did the embroidery, bringing Mai’s tapestry to life, was also a refugee in camps in Thailand before coming to the United States in 1992.

I thought this was an interesting way to introduce readers to part of the history of the Hmong people and the fallout of the Vietnam War through a traditional Hmong artform/craft that tells stories in a unique way.

Posted on by TracyC

The Travels of Ching

The Travels of Ching written and illustrated by Robert Bright, 1943.

A dollmaker in China makes a little doll named Ching. Ching is a high-quality, handmade doll, and the dollmaker sells him to a toy shop.

Ching sits in the window of the toy shop for a long time, waiting for someone who wants him. There is a little girl who sees him in the shop, and she wants him badly, but all the toys in the shop are expensive, and she can’t afford him.

One day, a wealthy tea merchant buys Ching, but he doesn’t want Ching himself. He plans to send Ching to someone else overseas. Ching begins a long journey by donkey, boat, and steamship to America. When he gets to America, he travels even further by train, eventually arriving at the apartment of a wealthy girl.

However, the wealthy girl doesn’t really want Ching. She already has many dolls, and she doesn’t find Ching interesting. She is careless with him, and one day, he falls off the balcony of the apartment and lies outside, forgotten.

One day, an old man finds Ching and brings him inside, but he doesn’t really want Ching, either. He gives Ching to his cook, but she doesn’t really want him, so she throws him in the trash, and Ching ends up in a junk yard.

Fortunately, Ching’s story doesn’t end there. A man who works for a Chinese laundry happens to pass the junk yard and spots Ching. Although Ching is dirty from his time outside, the Chinese man recognizes Ching’s quality and is pleased that the junk yard owner is selling him cheaply. The man buys Ching and cleans him up because he knows someone who will really appreciate him.

Thus, Ching is sent on another long journey … back to the person who always wanted him the most.

The book is available to borrow and read for free online through Internet Archive.

My Reaction

This is a vintage children’s book, and the illustrations of the Chinese people have the slits for eyes that are considered stereotypical now. However, there doesn’t seem to be any disrespect meant by the story. The basic theme of the story can be summed up by the saying, “One person’s trash is another person’s treasure.”

Ching travels a great distance from China to the United States, passing through the hands of various people along the way, and at times, he’s actually given or thrown away because the people who have him don’t really want him. There’s nothing wrong with Ching. He was always a high-quality doll, which is how he survived his time outside in the elements. It’s just that the people who have him don’t really appreciate him. Fortunately, there are people who recognize his quality, and there is one person who definitely wants him. It’s a happy ending when Ching finds his way back to her. All he really needed was for someone to want him, and in the end, he is happy to be with the person who does want him.

Posted on by TracyC

This Singing World

This Singing World collected and edited by Louis Untermeyer, 1923, 1926.

This little book is a collection of beautiful, classic children’s poems by some of the most famous poets for children and adults from the 19th century and early 20th century! Some of the poems are by Louis Untermeyer, the compiler of the book, but there are also poems by Robert Louis Stevenson, Henry Wadsworth Longfellow, Lewis Carroll, Robert Browning, Emily Dickinson, Walt Whitman, John Masefield, Robert Frost, William Butler Yeats, Walter de la Mare, Hilaire Belloc, and many others. In the book’s introduction, he says that most of the poems in the book “were written by living poets.” None of them are alive now, in the 2020s, but many (although not all) of the poets included were alive when this book was first compiled and published.

There are too many poems to list all the ones that appear in this book, but they are grouped by themes. Each section begins with a black-and-white illustration based on one of the poems in that section. There is also an interesting section of Notes in the back of the book that has extra information about some of the poems. I overlooked the Notes the first time I read the book, but it’s really worth seeing. Louis Untermeyer explains some of the background to his own poems there and also explains some of the background of other poems, pointing out ones that were based on real life incidents, giving some information about the authors of different poems, or explaining a little about the style of a poem. Although, Louis Untermeyer says that readers who prefer just to be left alone to read and enjoy are free to skip the Notes, anticipating exactly how I felt and what I did when I was a kid. I appreciate the extra information more now, so I’m glad it’s there, but I appreciate the Louis Untermeyer understood some things about how children’s minds work.

The author’s Introduction and A Few After-Words, two sections which I would also never have bothered to read when I was a child, are also worth reading because they take into account the feelings of child readers and his own philosophies about presenting poems to children. In A Few After-Words, the Louis Untermeyer addresses children reading the book and says that he wants them to know, whether their parents or teachers like it or not, that poems shouldn’t be taught in a formal way because turning them into lessons and picking them to pieces for analysis takes all the life and beauty out of them. He describes having gone to a lecture titled “How to Read a Poem in the Class Room”, which was an hour long (and a very long 60 minutes, to hear him describe it), where the lecturer outlined all the ways poems could be read and analyzed, never once mentioning “enjoyment.” Louis Untermeyer’s opinion was poems are best when read aloud, experienced, and not over-analyzed. (A philosophy not unlike that of the teacher in Dead Poet’s Society.) He is well aware, as he said in the Introduction, that nobody is going to like all of the poems in the book because they’re all very different from each other, but he hopes that there will be something in the book for everyone. He emphasizes, “don’t force yourself to like any of these poems just because they happen to be printed in this book.” He wants readers to explore what appeals to them now, in the phase of life they’re in, and be open to considering other poems later because some of them may take on more meaning for them later in life. I wish this man had been alive to be one of my high school English teachers because I argued about things like this with the teachers I had.

Sections in the Book:

Songs of Awakening

Poems about morning, sunrise, and day. This section includes Sunrise by Lizette Woodworth Reese.

Breath of the Earth and Sea

Poems about nature. This section includes The Storm and Autumn by Emily Dickinson.

Open Roads

Poems about travel. This section includes The Joys of the Road by Bliss Carman, I Want to Go Wandering by Vachel Lindsay, and The Road to Anywhere by Bert Leston Taylor.

Common Things

Poems about everyday events and small pleasures. This section includes Simplicity by Emily Dickinson, The Commonplace by Walt Whitman, and Escape at Bedtime by Robert Louis Stevenson.

Places

Poems about fascinating places. This section includes Stopping by Woods on a Snowy Evening by Robert Frost.

Children and Other People

Poems about children and interesting characters. This section includes The Young Mystic by Louis Untermeyer, The Children’s Hour by Henry Wadsworth Longfellow, and The Land of Story-Books by Robert Louis Stevenson.

Birds and Beasts

Poems about birds and animals. This section includes The Runaway by Robert Frost and The Blackbird by W. E. Henley.

Fairies and Phantoms

Poems about fairies and other supernatural creatures. This section includes Little Orphant Annie by James Whitcomb Riley, Disenchantment by Louis Untermeyer, and I’d Love to be a Fairy’s Child by Robert Graves.

Words and Music

Poems about music and poetry itself. This section includes Ode by Arthur O’Shaughnessy and The Singer by Anna Wickham.

Whims and Fantasies

Poems about imagination. This section includes Apparitions by Robert Browning.

Tales and Ballads

Poems that tell a story. This section includes The Highwayman by Alfred Noyes.

Laughing Legends

Humorous poems and poems about silly things. This section includes The Lost Shoe by Walter de la Mare and The Twins by Henry S. Leigh.

Fables in Foolscap

Poems that have a moral or lesson, although the morals and lessons are silly ones. This section includes The Embarrassing Episode of Little Miss Muffet by Guy Wetmore Carryl.

Rhyme Without Reason

Nonsense poems. This section includes The Snark by Lewis Carroll, The Owl and the Pussy-Cat by Edward Lear, and Topsy-Turvy World by William Brighty Rands.

Croons and Lullabies

Poems about night and sleep. This section includes Wynken, Blynken, and Nod by Eugene Field.

Stars to Hitch To

Poems to inspire. This section includes The Arrow and the Song by Henry Wadsworth Longfellow.

The Heroic Heart

Poems about courage and brave deeds. This section includes Opportunity by Edward Rowland Will and Invictus by W. E. Henley.

Posted on by TracyC

Eleanor

Eleanor story and pictures by Barbara Coooney, 1996.

This picture book tells the story of Eleanor Roosevelt’s early life. Eleanor Roosevelt (full name Anna Eleanor Roosevelt) was the niece of Theodore Roosevelt (called Uncle Ted in the book), and later, in life, the wife of Franklin Delano Roosevelt (a distant cousin) and First Lady of the United States. This book is about her childhood, so it doesn’t explain about her husband or marriage until the Afterword at the end.

Eleanor’s home life wasn’t particularly happy. She was a disappointment to her mother in a number of ways. Her mother had hoped for a boy, and she didn’t think Eleanor was a pretty baby. Her mother often called her “Granny” as a nickname because she was such a serious child and seemed rather old-fashioned looking, and she reminded her mother of an old woman. When Eleanor’s younger brothers were born, Eleanor often felt left out when her mother spent time with them.

Eleanor’s father loved her and enjoyed playing with her and spending time with her, but she didn’t get to see him often as she was growing up. Her father, Theodore Roosevelt’s brother, Elliot Roosevelt, was a traveler and socialite and later became estranged from his family. Still, although he wasn’t a particularly reliable person and wasn’t present much, Eleanor was very attached to him and sometimes felt like he was the only one who really loved her.

Much of Eleanor’s early life was spent with her nanny, who spoke to her in French, so she mastered the language at an early age. Eleanor was very shy, so she didn’t spend much time with other children. She did spend some time with relatives, too. Sometimes, she helped them with charitable projects, giving her a sense of caring for the less fortunate.

When Eleanor was eight years old, her mother died of diphtheria, and she and her little brothers went to live with her grandmother and the aunts and uncles who also lived with her. Her father had been living apart from the family at this time, but he returned after his wife’s death. After that, he would visit Eleanor sometimes and take her for outings. However, he was sometimes neglectful. The book explains that he died in a fall when Eleanor was nine years old.

Life with her grandmother was difficult for Eleanor because her grandmother made her wear old-fashioned clothes, she had a strict governess, and her aunts and uncles seldom paid attention to her because they were busy with their own work and projects. Other children didn’t think much of Eleanor because she was shy and wore old clothes. Sometimes, her cousin Corinny would join her for dinner, but Corinny never liked it because the house was so grim and silent.

Eleanor was happier when they would go to her grandmother’s summer house, Oak Terrace. At the summer house, she could play games, daydream, read, and catch tadpoles with her little brother Brudie. Sometimes, she would go out in the rowboat with one of her aunts. There were also times when she visited her Uncle Ted and his family. Sometimes, she would play with her cousin Alice Roosevelt because they were the same age, but Alice teased her dreadfully, and Eleanor often found her a little intimidating. Her relatives encouraged her to be brave and to do things that she found scary, but she often found it difficult to keep up with them and some of their daring stunts.

Eleanor was often considered the “ugly duckling” of the family, but things changed for her when her grandmother decided to send her to boarding school in England. She attended a school called Allenswood, and the headmistress, Mademoiselle Souvestre, became a mentor to her.

Thanks to the lessons in French from her former nanny, Eleanor excelled at boarding school. Because the school had a rule that the girls should only speak French at dinner, Eleanor was the only girl at first who felt comfortable talking, a rare change for her. Eleanor made friends with the other girls at school and was happy there. Mademoiselle Souvestre encouraged Eleanor’s sense of independence, opened her eyes to the world around her, took her along on trips to Europe, and advised her to get clothes made in Paris, ridding her of the clothes her grandmother made her wear. By the time she returned home from boarding school, Eleanor was happier and more confident than she had been before, and she credited Mademoiselle Souvestre for her influence.

The book is available to borrow and read for free online through Internet Archive.

My Reaction

I enjoyed this book for its focus on Eleanor Roosevelt’s childhood. Many books about famous people focus on what they did when the became famous, but I enjoyed seeing her as a shy, awkward child, when it didn’t seem obvious that she would one day be famous. By seeing how she grew up, I feel like I’ve come to understand more about her.

Eleanor Roosevelt came from a wealthy family, but her early life wasn’t very happy. She was deeply affected by her mother’s sense of disappointment in her for not being prettier and by her parents’ troubles and their separation from each other. She was orphaned at a young age, and one of her younger brothers also died not long after their mother. She often felt like she didn’t fit in with her family, and they didn’t seem to understand or appreciate her.

The book explains a little about her father’s estrangement from the family, but it doesn’t go into all the details or some of the dark reasons why. The truth was that he was an alcoholic. His alcoholism was the beginning of his strained family relationships, but then, he had an affair with a servant girl who worked for his wife and fathered a child by her. When that happened, Theodore Roosevelt had him forcibly removed from his family’s home and did his best to keep him away from his children as much as possible, even after his wife’s death. When the book says that Eleanor’s father died in a fall, that was a soft way of explaining it. The truth is that he committed suicide because he was drinking even more heavily after his wife and one of his sons died, and he was depressed about the rest of the family keeping him away from his remaining children.

I thought it was interesting that Eleanor really blossomed at boarding school. She had always been a shy girl, but she was very studious and spoke French, skills which suited boarding school life well. Boarding school encouraged her to spend more time around other girls her age and took her away from her family’s influence, giving her the opportunity to find herself and bond with other people. In particular, the headmistress of the school became her mentor and encouraged her to look at the world in new ways and to become the best version of herself.